Women’s Migration to and from some Mediterranean Countries in Vientos de agua by Juan José Campanella
Abstract
This article tries to highlight the particular features that migrant women show in a pioneering cultural product: Juan José Campanella's television series Vientos de agua(Water Winds), 2005. The process of forced geographical displacement is situated during two terms: the middle of the 20th century and the beginning of the 21st century. Women who fled from Mediterranean Europe to America, moving away from fascism in different Mediterranean latitudes, and women who, years after, seek in Spain a subsistence not guaranteed in their places of origin, share similar miseries in the process of leaving homeland. The intention of these lines is to give account of their vulnerabilities and the reason why is relevant to focus on them.
Riferimenti bibliografici
Arellano Torres, I. D. (2017). El fracaso del diálogo migratorio transatlántico en Vientos de agua [The failure of the transatlantic migratory dialogue in Water Winds]. Catedral tomada. Revista de Crítica Literaria Latinoamericana, 5(9), 424-440.
https://doi 10.5195/ct/2017.244
Campanella, J. J. (2005). Vientos de agua [Water Winds] [TV series]. Buenos Aires, Argentina - Asturias and Madrid, España: Telecinco and 100 Bares Producciones / with Pol-ka Productions in association with Icónica / Coproduced by the INCAA (Instituto Nacional de Cine y Artes Audiovisuales / National Institute of Cinema and Audiovisual Arts).
Córdoba Guzmán, P. T. (2018). Repensar el transtierro: Una historia conceptual y sus implicaciones para la teoría hermenéutica [Rethinking transterritory: A conceptual history and its implications for hermeneutic theory]. Bogotá: Colegio Mayor de Nuestra Señora del Rosario, Colegio de Ciencias Humanas, Maestría en Filosofía.
https://repository.urosario.edu.co/bitstream/handle/10336/18698/Repensar%20el%20transtierro.pdf?sequence=1&isAllowed=y
Lagarde, M. (2005) [1990]. Los cautiverios de las mujeres: madresposas, monjas, putas, presas y locas [The captivities of women: Mother-wives, nuns, whores, prisoners and madwomen]. México: UNAM.
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Moreno Garrido, B. (2010). La representación de la identidad en la serie Vientos de agua [The representation of identity in the series Water Winds]. Iberoamérica global, 3(2), december, 15-39.
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Ortuño Martínez, B. (2016, January-June). Redefiniendo categorías. Emigrantes y exiliados en los flujos de posguerra desde España hacia Argentina (1946-1956) [Redefining categories. Emigrants and exiles in the postwar flows from Spain to Argentina (1946-1956)]. Signos históricos, XVIII(35), 66-101.
http://www.scielo.org.mx/pdf/sh/v18n35/1665-4420-sh-18-35-00066.pdf
Rickett, R. (2014). Refugees of the Spanish Civil War and those they left behind: personal Testimonies of Departure, Separation and Return since 1936 (Thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities). Manchester: University of Manchester.
https://www.research.manchester.ac.uk/portal/files/54565631/FULL_TEXT.PDF
Rubin, G. (1986). El tráfico de mujeres: notas sobre la ‘economía’ política del sexo [Trafficking in women: Notes on the political 'economy' of sex]. Revista Nueva Antropología, VIII(30), 95-145.
https://www.redalyc.org/pdf/159/15903007.pdf?
Sánchez, M. (2021). Estudio sobre mujeres migrantes en Vientos de agua de Juan José Campanella [Study on Migrant Women in Vientos de agua by Juan José Campanella]. Cuestiones de Género, 16, 227-249.
http://revpubli.unileon.es/ojs/index.php/cuestionesdegenero/article/view/6930
Wamba Gaviña, G. (2010). El cruce genérico en la miniserie Vientos de agua de Juan José Campanella. El problema del emigrante: Argentina y España [The generic crossover in Juan José Campanella's miniseries Water Winds. The problem of the emigrant: Argentina and Spain]. In Macciuci, R. (Ed.), Hafter, L. & Gerhardt, F. (Coords.). Crítica y literatura hispánicas entre dos siglos: Mestizajes genéricos y diálogos intermediales [Hispanic Criticism and Literature between two centuries: Generic crossbreeding and intermediate dialogues]. Madrid: Maia. (Anexos Arbor) http://www.memoria.fahce.unlp.edu.ar/libros/pm.2847/pm.2847.pdf
https://doi 10.5195/ct/2017.244
Campanella, J. J. (2005). Vientos de agua [Water Winds] [TV series]. Buenos Aires, Argentina - Asturias and Madrid, España: Telecinco and 100 Bares Producciones / with Pol-ka Productions in association with Icónica / Coproduced by the INCAA (Instituto Nacional de Cine y Artes Audiovisuales / National Institute of Cinema and Audiovisual Arts).
Córdoba Guzmán, P. T. (2018). Repensar el transtierro: Una historia conceptual y sus implicaciones para la teoría hermenéutica [Rethinking transterritory: A conceptual history and its implications for hermeneutic theory]. Bogotá: Colegio Mayor de Nuestra Señora del Rosario, Colegio de Ciencias Humanas, Maestría en Filosofía.
https://repository.urosario.edu.co/bitstream/handle/10336/18698/Repensar%20el%20transtierro.pdf?sequence=1&isAllowed=y
Lagarde, M. (2005) [1990]. Los cautiverios de las mujeres: madresposas, monjas, putas, presas y locas [The captivities of women: Mother-wives, nuns, whores, prisoners and madwomen]. México: UNAM.
Mejino, L. (2016, Januay 8). Vientos de agua: La excepcional serie maldita de nuestra ficción [Water Winds: The exceptional cursed series of our fiction]. El Diario Vasco. https://blogs.diariovasco.com/series-gourmets/2016/01/08/vientos-de-agua-la-excepcional-serie-maldita-de-nuestra-ficcion/
Moreno Garrido, B. (2010). La representación de la identidad en la serie Vientos de agua [The representation of identity in the series Water Winds]. Iberoamérica global, 3(2), december, 15-39.
Nash, M. (1999): Rojas: Las mujeres republicanas en la Guerra Civil [Reds: Republican women in the Civil War]. Madrid: Taurus.
Ortuño Martínez, B. (2016, January-June). Redefiniendo categorías. Emigrantes y exiliados en los flujos de posguerra desde España hacia Argentina (1946-1956) [Redefining categories. Emigrants and exiles in the postwar flows from Spain to Argentina (1946-1956)]. Signos históricos, XVIII(35), 66-101.
http://www.scielo.org.mx/pdf/sh/v18n35/1665-4420-sh-18-35-00066.pdf
Rickett, R. (2014). Refugees of the Spanish Civil War and those they left behind: personal Testimonies of Departure, Separation and Return since 1936 (Thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities). Manchester: University of Manchester.
https://www.research.manchester.ac.uk/portal/files/54565631/FULL_TEXT.PDF
Rubin, G. (1986). El tráfico de mujeres: notas sobre la ‘economía’ política del sexo [Trafficking in women: Notes on the political 'economy' of sex]. Revista Nueva Antropología, VIII(30), 95-145.
https://www.redalyc.org/pdf/159/15903007.pdf?
Sánchez, M. (2021). Estudio sobre mujeres migrantes en Vientos de agua de Juan José Campanella [Study on Migrant Women in Vientos de agua by Juan José Campanella]. Cuestiones de Género, 16, 227-249.
http://revpubli.unileon.es/ojs/index.php/cuestionesdegenero/article/view/6930
Wamba Gaviña, G. (2010). El cruce genérico en la miniserie Vientos de agua de Juan José Campanella. El problema del emigrante: Argentina y España [The generic crossover in Juan José Campanella's miniseries Water Winds. The problem of the emigrant: Argentina and Spain]. In Macciuci, R. (Ed.), Hafter, L. & Gerhardt, F. (Coords.). Crítica y literatura hispánicas entre dos siglos: Mestizajes genéricos y diálogos intermediales [Hispanic Criticism and Literature between two centuries: Generic crossbreeding and intermediate dialogues]. Madrid: Maia. (Anexos Arbor) http://www.memoria.fahce.unlp.edu.ar/libros/pm.2847/pm.2847.pdf
Pubblicato
2022-01-13
Sezione
Comments and debates
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